[11] Earlier "Humanscapes" had limited palette choices, but later paintings had more colors and were rather vibrant. Mel Casas: Human presents six large paintings by the late San Antonio–based artist Mel Casas, co-founder of the Chicano art group Con Safo. With the history of art as its foundation, Kelker took several steps to correlate Casas’ body of works to America’s social history, popular culture, psychology, gender studies, and issues of social justice. But that doesn’t make me an artist. [8] He is considered to be one of the important founders of the Chicano Arts movement. (2006), Acrylic on canvas, 30 × 15 in Casas was also well known as a write… Casas’ paintings will also be on view in an upcoming show curated by Ruben Cordova, American History Does Not Begin with the White Man: Indigenous Themes in the Work of Mel Casas (September 29-October 27, 2018), at Bihl Haus Arts in San Antonio. In this blog post, Curator for Latino Art E. Carmen Ramos reflects on the importance of Casas' art. I think we are lucky to be born outsiders. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. What signs of the Southwest has the artist included? Several of these artists were students of Casas, who was teaching at San Antonio College. Casas has been written about as a Chicano artist yet his practice predated the emergence of the Chicano Movement. Archives of American Art. Cordova, Ruben C. (2009). This exhibition provides a full view of Casas’ politically-oriented art, including anti-war paintings and oblique commentaries on Nixon-era politics, censorship, and racial discrimination. In this blog post, Curator for Latino Art E. Carmen Ramos reflects on the importance of Casas' art. I think people are generally aware of what MeL is, but haven't found a way to incorporate it into their daily life. Mel Casas, “Humanscape 47 (Still Life)” (1968), 72″ x 96″, acrylic/canvas (images courtesy of the Casas family unless noted) SAN ANTONIO, Texas — Over the course of 20 years, Mel Casas … Available for sale from Ruiz-Healy Art, Mel Casas, Holy Mackerel! Rather, his cultural work supported and coincided with the emergence of a broad civil rights movement. Gallery Talk: Mel Casas: The Man Thursday, September 27, 2018 - 6:00 PM - 6:30 PM Dr. Ruben Cordova, renowned Chicano scholar, discusses work by late San Antonio-based artist Mel Casas, who is best known for his pointed visual statements that explore identity and the bicultural experience. We have perfect paintings for the living room, bedroom, kitchen or even the office. "Art on the Border." The Smithsonian American Art Museum is proud to own paintings by artist, including Humanscape 62, which was featured in our exhibition Our America: The Latino Presence in American Art. ‎Mel Casas: Artist as Cultural Adjuster showcases the work of American Pop Artist Mel Casas. PAUL KARLSTROM: Archives of American Art, Smithsonian Institution, an interview with artist Mel Casas at his casa in San Antonio, Texas. View Mel Ramos’s 2,901 artworks on artnet. The interviewer for the Archives is Paul Karlstrom, and this is the first tape, tape one, side A. Con Safo is a Pachuco slang expression whose most common meanings are: "the same to you," "don't mess with this," and "forbidden to touch. The paintings and their images are not to be reproduced, copied, or used for any other purposes without explicit permission.. Okay, now we're doing it, we're really doing it. This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. All public programs are online only, on-site public tours and events are currently suspended. Casas was professor emeritus at San Antonio College, where he taught for 29 years before retiring as chairman of the art department in 1990. 4: 28–31. Mel Casas is active/lives in Texas. 723 South Brazos St. Though Casas is best known for a handful of works that treat Chicano themes, he created an unusually wide array of works with varied themes and styles. [9] Casas felt that once artists had a fair chance to exhibit in the United States, then they would become part of "Americana. With the history of art as its foundation, Kelker took several steps to correlate Casas’ body of works to America’s social history, popular … The interviewer for the Archives is Paul Karlstrom, and this is the first tape, tape one, side A. The paintings and their images are not to be reproduced, copied, or used for any other purposes without explicit permission from the Casas Family Trust. Casas is best known for pointed visual statements that question cultural stereotypes and portrayals of Mexican Americans in the media. [21], Casas often paid a price for his trenchant social criticism. On Artfinder you can find oil paintings for sale, acrylic paintings, as well as watercolour and mixed media paintings. He was inspired by professor Mel Casas, who made large paintings on a black ground that were informed by pop art and surrealism. "[15] In its abbreviated form, C/S, it is used to protect murals from defacement. Mel Bochner is an American Conceptual artist best known for his text-based paintings. Provenance. Bill. CAMH has a number of its original and co-published publications digitally reproduced on Issuu.com.This online library is a rich resource for academic research and study with curatorial essays, artist interviews, and images that describe the art world’s ever-changing landscape through the CAMH’s perspective. [7] In his writing, he emphasized the importance of "self-determination" and equality for Chicanos/as. Casas’ practice was rooted in the Chicano ethos of social justice, bridging the cultural, political, and economic divides that define the borderlands. "[10], Casas was born in El Paso, Texas[1] to Mexican parents during the Great Depression. NOTICE: All paintings represented on this site are the original work of Mel Casas. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. [10] He attended El Paso High School which he chose in order to get a better education. From 1975 through 1981, Casas' favorite topic as art about art. Casas began making politically themed paintings in 1968, and he emphasized this subject matter from 1970 through 1975. See available prints and multiples, paintings, and works on paper for sale and learn about the artist. So we are a mixture. [12] Casas was awarded a Purple Heart for bravery in the war. In Casas’ easily Pop Art became a agent for cultural, amusing and political annotation from a Chicano point-of-view. . Hickey, David (1988). Mel Casas (Born 1929) is active/lives in Texas. [10] In college, he had a very strong background in classical art theory, drawing and painting. Courtesy San Antonio College 3 of 10 "Humanscape 62 (Brownies of the Southwest)," a … Nancy Kelker (1951- ) is an art historian in Murfreesboro, Tennessee. PAUL KARLSTROM: Archives of American Art, Smithsonian Institution, an interview with artist Mel Casas at his casa in San Antonio, Texas. [19], To me, being an outsider is the next thing to being an artist. [10], Later, Casas was called into the United States Army[12] and his father insisted it was his duty to serve. The Guadalupe Cultural Arts Center . Mel Casas: Artist as Cultural Adjuster. [10] It was Casas' first encounter with discrimination. "The Cinematic Genesis of the Mel Casas Humanscape, 1965-1967". Please contact us to find out more about our Cookie Policy. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. Born in El Paso, Texas, Casas received his BA from the Texas Western University and an MFA from the University of the Americas in Mexico. Los Angeles: UCLA Chicano Studies Research Center Press. Retrieved 7 April 2015. When interviewed about Latino/Chicano identity, Casas is not dismissive of identity, but rather has grand ambitions for it. —Mel Casas as quoted in Quirarte, Jacinto, Mexican American artists. 1 of 30 S.A. residents attended the opening of SEX & CINEMA with Mel Casas, featuring the late artist's Humanscape paintings at the FL!GHT in the Blue Star Arts Complex on June 25, 2015. His signature “Humanscape” paintings were designed as "impact pieces" intended to challenge… With his first wife, Maria, Mel had four children: Alfredo, Ingrid, Mike and Sonya. .mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISSN 0005-2604. Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 135: #2 Mexican Plate (1984), Acrylic on canvas, 72 × 96 in His piece, “Brownies of the Southwest” is one of the few by an American pop artist. [10] Casas felt that he had a good education in elementary school and junior high. "[1][2] His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum,[3] and nationally and internationally. [17] Casas recalls that eventually he felt that the abstract work was too "pretty" and it wasn't the right artistic language for him. I don't think it's quite true. "Melesio Casas was born in El Paso, Texas, in 1929. For the most part, the show was comprised of Casas’ smaller paintings. [2] He and Grace had one child, Bruce. The Smithsonian American Art Museum is proud to own paintings by artist, including Humanscape 62, which was featured in our exhibition Our America: The Latino Presence in American Art. [10] He received a BA in 1956 from Texas Western College (now the University of Texas at El Paso). [10] Being the chair of the department, however, was stressful for Casas, since he was often on call. We cannot deny it. As a public health precaution due to COVID-19, all Smithsonian museums are closed temporarily. Also at the Archives of American Art is an interview of Mel Casas conducted August 14-16, 1996 by Paul Karlstrom for the Archives of American Art. Discover (and save!) I think linguistically and iconographically we will tend to mix the two. click to enlarge. 31 likes. Kathy gives credit to Casas for opening her eyes and sharing many Chicano and Chicana artists with her. GETTING the BIG PICTURE: Political Themes in the Art of MEL CASAS, 1968-1977. El Paso, United States. Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. [6] In the first group, from 1965 through 1967, Casas made depictions of audiences watching films at drive-in cinemas and conventional movie theaters. [21] "Humanscapes" addresses various issues, such as Chicano politics and identity by using biting humor, pop culture and folk art. In this series, Casas focuses on imagery from popular culture and how these media images can and do affect viewers[17] who Casas called voyeurs, instead. His broad and impactful practice of challenging borders that create metaphorical, physical, and ideological divergences. Discover and buy from a selection of thousands of landscape paintings, portraits, and nude paintings. Casas seems to project the future/present of the tradition that Enrique Martinez envisions in At the Altar (2006). [10] One of his students was Gaspar Enriquez. Mel Casas is known for Mod figure-genre, non objective painting. Related Materials. Mel Casas, an influential artist and teacher who helped define the Chicano art movement has died after a two-year battle with cancer. He used visual statements, his sense of humor and love of puns to "address cultural stereotypes. [5][6] Casas was also well known as a writer and theorist. Focusing on topics like beauty and politics, the works also demonstrate the artists contribution to the accessibility and relevance of Chicano art. Lecture delivered at University of Texas at El Paso. [24], In later years, he ceased exhibiting, but painted almost daily, even when he was battling cancer. Where do we see “brownies” in this image? We are entirely different. [16], Casas taught for 29 years at San Antonio College[1] where he was Chair of the Art Department for 12 years. Kelker, Nancy L. (4 September 2013). I have to my benefit that I can combine English and Spanish to give a more colorful expression than I would if I said it all in English or all in Spanish. He attended the public school system and graduated from Texas Western College with a bachelor's degree in arts in 1956. His work has been collected by the San Antonio Museum of Art, SmithsonianAmerican Art Museum, and nationally and internationally. Image assets for this folder have not been fully processed. Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. He was also an educator and cofounder of the San Antonio Artist Collective Con Safo—considered by many to be one of the most significant Chicano Art groups of the 60s and 70s at a time when Chicano art was not being shown at mainstream venues. Okay, now we're doing it, we're really doing it. [2] He was very interested in dealing with the objectification of women in media[2] and "debunking" racial stereotypes.[18]. Mel Ramos is an American Pop artist best known for his female nudes painted alongside brand logos. Mel Casas is one of San Antonio's most influential artists, yet also among the most overlooked. The artist … [15] Felipe Reyes, a painter, was the prime mover of the Con Safo group, which he views as a final reorganization of a group he cofounded in 1968, which was initially known as El Grupo. Ruiz-Healy Art features Mel Casas' small, intimate works and larger scale paintings to provide a well-rounded view of his oeuvre. The trio of exhibits trace almost the entire progression of Mel Casas' 150 Humanscape paintings from 1965 to 1989. [4] He is best known for his series of 150 large-scale paintings called "Humanscapes" that were painted between 1965 and 1989. First of all, because we use liquitex, and we use canvas, and we use stretcher boards. Mel Casas: Artist as Cultural Adjuster is a new book by Nancy Kelker that showcases the work of American Pop and Chicano Artist Mel Casas. your own Pins on Pinterest Cordova, Ruben C. (2011). The date is August 14, 1996. [10] He also helped with his father's Swedish massage business located in downtown El Paso. Mar 24, 2013 - This Pin was discovered by Sherry Willome. ‎Mel Casas: Artist as Cultural Adjuster showcases the work of American Pop Artist Mel Casas. SAN ANTONIO — Mel Casas is probably best known for politically charged paintings such as “Humanscape 62 (Brownies of the Southwest),” one … (6 May 1976). A grinning Frito Bandito, who appears to have been carved from semi-precious stone, is perched atop a skeleton and surrounded by a series of ​ “ brown” references drawn from American and indigenous cultures. [11] His father liked to draw and this influenced Casas to start drawing on his own. The Nancy Kelker research material regarding Mel Casas was donated in 2016 by Nancy Kelker. McNay Hosting Gallery Talk on Legacy of Late San Antonio Artist Mel Casas Posted By James Courtney on Tue, Sep 25, 2018 at 12:12 PM. PAUL KARLSTROM: Archives of American Art, Smithsonian Institution, an interview with artist Mel Casas at his casa in San Antonio, Texas. In Casas’ hands Pop Art became a vehicle for cultural, social and political commentary from a Chicano point-of-view. Casas, Mel. Aztlán 36 (2). Austin: University of Texas, 1973. p. 83, The 153 paintings that make up the "Humanscape" series were inspired by a "glimpse of a drive-in movie screen. In regards to the future of Chicano art, Casas is quoted in the landmark exhibition, Essays by Rita Gonzalez, Howard N. Fox & Chon A. Noriega, Rita Gonzalez, Howard N. Fox & Chon A. Noriega, 2008, Chicano Art: Resistance and Affirmation, 1965-1985, Richard Criswold Del Castillo, Teresa McKenna & Yvonne Yarbro-Bejarano, editors, 1991, Essay by E. Carmen Ramos, and introduction by Tomás Ybarra-Frausto. Available for sale from Ruiz-Healy Art, Mel Casas, Hanging Garden (2005), Acrylic on canvas, 24 × 24 in mel Casas is a member of Vimeo, the home for high quality videos and the people who love them. [21] His paintings often reacted to these media types by using erotic themes to highlight the effect that media had on the viewer. [2] After graduating high school, Casas worked for Pacific Fruit Express, a railroad company, as an iceman. Funding. 2 of 10 This Mel Casas painting is part of his “Humanscapes” series. He used clever word play mixed with imagery. Bochner’s popular thesaurus painting series consists of lists of synonyms displayed in rainbow-colored palettes, often featuring a single word repeated in painterly capital letters, as seen in his seminal piece Blah, Blah, Blah (2008). [10] After the mid 1960s he began to do more representational work. He was 85. Last year, SAC hosted “Mel Casas: Artist as Cultural Adjuster,” an exhibit of 76 works by Casas, in conjunction with a signing of art historian Nancy Kelker’s book by the same title. painting series whereby over the span of 150 paintings the Chicano experience slowly moves from the periphery to the center. [10] He graduated from high school in 1948. "Mel Casas: Border Lord." She felt welcome here and loved what the group was doing with art. He was designated "Artist of the Year" by the San Antonio Art League for 1968, only to have this honor revoked three days later. [12][13], Casas received an all-level certificate to teach in Texas. So there is no sense in trying to say that we have that kind of purity. Two large paintings from Mel Casa’s Humanscape series comment on Southwestern clichés, and the commodification of Day of the Dead is especially prescient. [10] Con Safo was considered influential and helped Chicano art receive recognition when Chicanos and their work were largely excluded from museums and galleries. [10] First, he started to study psychology, due to practical considerations, but later changed to art and teaching. Mel Casas, Humanscapes 94: Art Lures, 1978, Acrylic on canvas, 72 x 96", 182.9 x 243.8 cm. By the time of the UFW Delano Grape Boycott of 1965 and the Mexican American student protests at schools in Texas and California between 1967-1969, Casas had been practicing professionally as an artist and painter for almost a decade. Through the Con Safo group, members gained exposure by participating in exhibitions for which they were paid a fee by the exhibiting institutions. Okay, now we're doing it, we're really doing it. "Oral History Interview with Mel Casas, 1996 Aug. 14 and 16". With the history of art as its foundation, Kelker took several steps to correlate Casas’ body of works to America’s social history, popular culture, psychology, gender studies, and issues of social justice. [13] Casas then received a MFA from the University of the Americas in Mexico City in 1958. [22] His choice of subject matter, which satirized racism and may show sexualized nudes, was often considered to be "provocative. [10] At the time, there were more Anglo students at El Paso High and Casas felt alienated from the other students because of his background and heavy Mexican accent. and the author of Mel Casas: Artist as Cultural Adjuster . Mel Casas: Artist as Cultural Adjuster. The Mel Casas papers were donated by Mel Casas in 1981 and microfilmed as part of the Archives of American Art's Texas project. Mel Casas is known for Mod figure-genre, non objective painting. [6] Casas, who referred to the dominant notion of beauty as the Barbie doll ideal, spoke of the privileges of blond hair and blue eyes while he undressed a Barbie doll during his acceptance speech. “Because I am of Mexican descent and I readily admit it. Finally, from 1982 through 1989, the last Humanscapes treated what Casas called the "Southwestern clichés." We are in between. Currently on view at the McNay art museum in San Antonio, in conjunction with the exhibition Pop América, 1965–1975, is a presentation of six large-scale paintings and eight other works by the late San Antonio-based artist Mel Casas (1929-2014). [15] In December 1971 the Con Safo group consisted of Felipe Reyes, Jose Esquivel, Jesse Almazán, Roberto Ríos, and Jose Garza (all of whom were members of El Grupo), and Mel Casas and Jesse Treviño. Casas is known for his Humanscape painting series whereby over the span of 150 paintings the Chicano experience slowly moves from the periphery to the center. Mel Casas (Born 1929) is active/lives in Texas. [1] He died in his home with his family and his wife of 35 years, Grace Casas. [10] He was considered by his students to be a "generous" teacher, helping to launch many young art careers. [10] As a young man decided that he wanted to be an artist. [21], Chicano Art is not Art for Art's Sake, but Art for Human Sake. Casas is best known for pointed visual statements that question cultural stereotypes and portrayals of Mexican Americans in the media. [9] Casas taught art at Jefferson High School in El Paso, Texas[14] for about three years. Con Safo: The Chicano Art Group and the Politics of South Texas. Artspace: Southwestern Contemporary Arts Quarterly 12, no. "[6] Cordova, who curated four Humanscape exhibitions with approximately half of the paintings,[20] divides the Humanscapes into five groups. [25], I don't think we should break away from our tradition. Available for sale from Ruiz-Healy Art, Mel Casas, Visual Scent (1999), Acrylic on canvas, 24 × 24 in Casas was an artist of national and international renown. His signature “Humanscape” paintings were designed as "impact pieces" intended to challenge the viewer into a reconsideration of the cultural myths and social stereotypes so … Cordova’s series focuses exclusively on the artist’s 6-foot-by-8-foot works. NOTICE: All paintings represented on this site are the original work of Mel Casas. The trio of exhibits trace almost the entire progression of Mel Casas' 150 Humanscape paintings from 1965 to 1989. 'No usamos bastidores o manta.' Mel Casas, Humanscapes 94: Art Lures, 1978, Acrylic on canvas, 72 x 96", 182.9 x 243.8 cm. Mel Casas is known for Mod figure-genre, non objective painting. Mel Casas: Artist as Cultural Adjuster by Nancy L. Kelker Art & Architecture Books Mel Casas: Artist as Cultural Adjuster showcases the assignment of American Pop Artist Mel Casas. "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. SAN ANTONIO — Mel Casas is probably best known for politically charged paintings such as “Humanscape 62 (Brownies of the Southwest),” one … Additional papers were donated by Casas in 1999. In Casas’ hands Pop Art became a vehicle for cultural, social and political commentary from a Chicano point-of-view. I am not a professional Mexican.”. San Antonio-based artist Mel Casas died on November 30, 2014 after a two-year battle with cancer. San Antonio-based artist Mel Casas died on November 30, 2014 after a two-year battle with cancer. [4], Casas was first recognized for his work in the abstract expressionist style[2] which was considered "typical" for his time period in the United States. This site uses cookies to help make it more useful to you. Smithsonian Institution. The date is August 14, 1996. Mel Casas: Human presents six large paintings by the late San Antonio–based artist Mel Casas, co-founder of the Chicano art group Con Safo. This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. Mel Casas Family Trust. [4], Casas went to college using the G.I. [2] He challenged stereotypes, especially in some of the works in his "Humanscape" series. Available for sale from Ruiz-Healy Art, Mel Casas, Flower Triangle (1993), Acrylic on canvas, 24 × 24 in [14], Casas served as president of the Con Safo art group in the early 1970s. In Casas’ hands Pop Art became a vehicle for cultural, social and political commentary from a Chicano point-of-view. “I like the "How to MeL" slogan a lot! "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. Share. [12] Casas felt that he had the opportunity to teach a "very good cross-section of the city" which was something he enjoyed. He used visual statements, his sense of humor and love of puns to "address cultural stereotypes." [21] As Casas' paintings became more colorful, they also began to have a richer sense of satire and visual play. [10], Casas had a two-year battle with cancer. MEL CASAS: Whatever it is. [10] He retired in 1990. His signature “Humanscape” paintings were designed as "impact pieces" intended to challenge… Funding [22] His incorporation of imagery from Mexican and Pre-Columbian iconography in conjunction with pop art was unique. The blurry, nebulous audience members were gradually endowed with more color and form, and from late 1967 through 1970, many Humanscape paintings dealt with the Sexual Revolution. I so divide the picture plane of my painting so as to force the spectator into the role of 'voyeur,' thus acquiring an identity through participation. 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